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Liquidsoundzuk dnb Podcast
Rollin the highest grade sounds
Category: Drum 'n' Bass
Location: London
Followers (150)
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Rollin Serious Dnb Vibes

by Liquidsound...
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June 30, 2018 11:16 PM PDT

Dj Method bio

Born and raised in west London i got into hiphop in the mid 80s ,Heard rave music in 89 and fell in love with the music and culture, Start to buy records that year and never stopped,From house music i follow onto hardcore and then into jungle and then into Drum n Bass , play most London base radio and nights at the time,2008 i relocated to Torquay, Over the years iv work close with many labels promoting new music and artists, 2016 i returned to my house roots with a show called Deep Space Transmission,2018 after a short break i returned with it on Sonic Stream Radio. Co owner of DrumnBassWorldWide with long time friend RipsDj and still do my Friday night Odyssey Recording Show .
Today i work with label Odyssey Recording/ MovementinSound And Canada labels Stasis promoting new music and finding new artist and working closely with the guys on releases .

1 Rob Base - It takes two
2 4 hero’s - Mr Kirk Nightmare
3 Genaside - Narra Mine
4 Gat Decor - Passion
5 The Scientist - The Exorcist
6 Future Sounds Of London - Papua New Guinea
7 Orbital - Belfast
8 Brother Grim - When The Lion Awakes
9 One Tribe - What Have You Done
10 Rebel Mc - Tribal Bass
11 Shut Up & Dance - &20 To get in
12 Liquid - Liquid is Liquid
13 Egyptian Empire - The Horns
14 D-Livin - Why
15 Dj Crystl - Meditation
16 Hyper On Experience - Disturbance
17 Hyper On Experience - Lord Of the Null Liners
18 Dillinjah - Angels Fell
19 LTJ Bukum - Music
20 Code Blue - Angels in Dub
21 Seba & Lo Tek - Waveforms
22 Blu Mar Ten - Moths & Butterflies
23 Rhythm Tek - Breath Deep

May 31, 2018 12:07 AM PDT

Junglekid is a Manchester based producer. His musical style is experimental and futuristic; a very broadminded outlook ensures his music is always at that cutting edge. Through years of sampling, record shopping and raving he created a style unlike anyone else’s; this made the music stand out and kept it 100% fresh.

“I prefer my beats to just roll out, but with layers of breakbeats and rhythms to add depth.” – Junglekid

His music has been played on a whole host radio stations including BBC 1XTRA, Jungle-train, Unity FM, Rinse FM and many more. With releases on Odyssey, Futurepast and Alternative Architecture, the future is sure to bring more innovation and new music.


Sonic Winds by Seba & Lotek

One Away by Randall & Flex

From Above by Equinox

Aries Maze by Paradox

Mother Earth by Adam F

Obsession by Future Cut

The Reno by AGCG

Manslaughter by Rufige Kru

Cybernetic Jazz by Grooverider

Decade 303 by Alpha Omega

Unknown unknowns by Rawtrachs

Terminator (Cujo Remix) by Rufige Kru

Atlantis (Bad Company Remix) by Moving Fusion

So Mars by Breakage

The Rebel by Outrage

The Blackness by Deeperheightz

? by ?

Untitled by Sanz

Omega Amen by Southstar & Miracle

Love Her by Nucleus & Paradox

In Your Eyes by 0=0

The Americans Are Coming (Remix of A R Rahmans' Mumbai) by Nuriya Hamid & Moises Modesto

April 30, 2018 06:53 AM PDT

Tidal AKA Wayne Hay, has been producing since 1998 and DJing since 2000. He also runs one of the few Atmospheric / Progressive Drum 'n' Bass left called 'Advection Music', Tidal also features on LTJ Bukems's Good Looking Records, and has also played at..
Born in Birmingham (UK) Tidal Aka Wayne, has always been into music since an early age. Some of his early musical memories come from many genre's including Reggae, Electro, Hip-Hop, Soul & Electronica. It was through his older brother, how he got exposed to fresh music growing up. 1995 was a pivotal year for Tidal, this was when he first got introduced to the sounds of LTJ Bukem & MC Conrad.

Through listening to a lot of tunes, from various mix albums like Promised Land & Logical Progression, he decided to venture into production in 1998, and then later progressed into Djing back in 2000.
Since his first demo, Tidal has received interest over the years from labels like Covert Operations, Inperspective and International labels like Testflight (D.C), Warm Communications (Texas), Offshore Recordings (NYC) and Camino Blue (Germany).
In 2008 Tidal’s track ‘Impressions’ which had been played out amongst the Birmingham based Central Projection Crew, later got signed to Good Looking Records, which was released in 2009.
Since his debut release on Good Looking Records, Tidal's 'Impressions' has done the rounds worldwide, with DJ Support from the likes of Fabio (BBC Radio 1), Big Bud, DJ Marky (Innerground) and Makoto (Japan). The track was also featured on Fabric Live (46) Mixed by LTJ Bukem.
Tidal continues to push the deeper side of drum and bass with the Advection and Odyssey Collective.

01. M-Beat featuring Jamiroquai - Do U Know Where You're Coming From (Intelligent Groove Mix) - Renek (1996)
02. Rood Project - Thunder - White House (1994)
03. Baby D - Take Me To Heaven - Production House (1996)
04. Shamen - Transamazonia (LTJ Bukem Mix) - One Littler Indian (1996)
05. Ken Ishii - The Stretch (Shogun Remix) - R&S (1996)
06. Model 500 - Incredible - R&S (1999)
07. Everything But the Girl - Walking Wounded - Virgin (1996)
08. Helen T - Diverse City - I.D.M / Bermuda Triangle (1996)
09. Aural Imbalance & Forenics - Catalyst - Cadence (2003)
10. PHD - Cyber Genetics - Ascendant Grooves (1999)
11. Seba - Camoflauge - Looking Good - (1998)
12. Chris J - Windforce - Gamma Ray - (2001)
13. Future Engineers - The Silence (ASC Remix) - White
14. Faith Massive - Shelter (Cedar Remix) - N*Soul (1999)

About the Podcast:

Starting things off with tracks from when I was 16 Years old,
jungle music was introduced to me from older Rich, Big shouts
to him. A lot of my introductions were via CD Compilations and Tapes
including this ones like Jungle Massive, Artcore, Jungle Renegades,
Jungle Techno. I didn't start buying Vinyl until I was 18 and
didn't start mixing until I was 20, by the time the milluem hit
really started listening a lot more and ventured into production
a few years later.

March 31, 2018 01:34 AM PDT

Sid Odyssey Nar
I have been following the scene since the early 90’s i.e. Quest/Fibre Optic/Pandemonium following through the progression in to World dance, Dreamscapes, Progression Sessions (Good Looking Records). I started mixing at the age of 19 buying records from the historic local music store Ruby Red Records. My style originates from jungle through to atmospheric, jazzy and chilled out drum & bass. I am currently producing music for my label and organizing Odyssey events.
Track 1 – Music – LTJ Bukem
Track 2 – Future Sound – Future Assassins – 2 Bad Mice Remix
Track 3 – Club to Death – Peshay Remix
Track 4 – Meditation – Dj Crystal
Track 5 – The Calling - Roni Size & DJ Die
Track 6 – Renegade Snares Hig Contrast Remix – Omni Trio
Track 7 – 4 O’clock in the Morning – Promo
Track 8 – Metropolis – Adam F
Track 9 – Sorrow – Future Bound
Track 10 – Mind Games – DJ Crystal
Track 11 – She’s So (Revisited) FBD Project
Track 12 – Pearls – Urban Visions Vol 1
Track 13 – Find Me – Skanna
Track 14 – Rafiki – Big Bud
Track 15 – Eastern Promise – Intense
Track 16 – Witness - Intense
Track 17 – Dark Matter – Narkotix
Track 18 – Focus - Narkotix

February 28, 2018 02:47 AM PST

Mej/ Odyssey Recordings/Collective Producer.
We give with full marks to his production skills. Mej has had tracks released on Audio Theory Records, and now showcasing his music with Odyssey Recordings, with his minimal beats and dance floor flavours, keep your eyes and ears open for some forthcoming music. We are very pleased to have such talent on board.


1. mav - the scientific way.
2. kytel - the avenue.
3. resound vs paradox - circular structures.
4. teebee - lifeless.
5. icr - new day.
6. asc - forcefield.
7. implex - oceans of oceans.
8. cryo & uzahs - waterfalls.
9. mav - trigger the rabbit.
10. cryo - girls and their demons.

January 31, 2018 08:46 AM PST

Rich goes by the artist name Rhythm Tek. His D ‘n’ B Style varies from Atmospheric to Minimal beats and Jungle Just depending on his mood. Rhythm Tek’s production comes from his inner emotion, and feels that this makes a better sound and listen. Rhythm Tek has a number of tracks released with Odyssey Recordings and many to come… He is also a key member of Odyssey Recordings, together managing the No.1 ITunes podcast – Liquidsoundzuk.
Please keep your eyes and ears open for the future sounds of Rhythm Tek.


1.Adam f - Circles
2.The police - Walking On The Moon Roger Sanchez Remix
3.Roni Size - Heroes
4.Blame - Alpha 7
5.Atlantic Connection - Alliance Amen
6.BKey - Elysium
7.Source Direct - Secret Liaison
8.PFM - The Western
9.Blame - Sphere Seba Remix
10.Pariah - Remnants
11.The Invisible Man - Stormfields
12.Future Engineers -Wavelength
13.Dillinja - Hardnoise

January 15, 2018 12:58 AM PST

LiquidSoundzuk /ITunes
2018 Podcast
This year we are focusing on the producers behind the music.
Producers will get the opportunity to select their top 15/20 tracks that has inspired and influenced
them over their time as an avid Drum & Bass listener to showcase an Un-Mixed podcast.
The podcast will consist of either an all MP3 selection or an all Vinyl selection. This will be entirely up
to the producer.
Please join us on this musical Odyssey…
Odyssey Recordings
AXO worldwide
Advection music
Thank you to all our listeners and support

November 30, 2017 12:38 AM PST

Having released popular Drum & Bass music since 1997, on leading labels such as Renegade, Partisan, 720 degrees, and Good Looking Records, Future Engineers finally launch brand new imprint Transference Recordings. It is designed to become a regular outlet – via digital download stores – for top quality and forward-thinking, deep D&B music.
The label sets off on a very strong foot with Future Engineers delivering the superb Ellipse EP – a refreshingly diverse collection of deeper D&B tracks from the top drawer.
Full Bio
Lee Batchelor and Keir Cleminson are Future Engineers, a Glasgow based drum and bass production outfit, best known for their music that was released by LTJ Bukem’s Good Looking Organisation between 1999 and 2003, and also for the progressive, dance floor friendly DJ sets that they have performed across Europe.
They released their seminal 12” (“The Silence”/”Shattered”) on Renegade Recordings in 1997, quickly followed by popular material on labels such as Temple Records and Partisan. Almost 10 years since they first broke onto the scene, they have retained their reputation as a boundary-pushing and prolific drum and bass act. Their solid working relationship has been built on the foundations of a life-long friendship, having grown up together in North London and then Glasgow when Keir relocated there in 1990, followed by Lee in 1994.
From early childhood they were constantly surrounded by music – from studio sessions to live concerts – due to their fathers who were working together in the industry. Most notably, Keir’s father was lead guitarist in The Sensational Alex Harvey Band and Lee’s Father co-produced some of their albums (he also co-produced “Slide Away” for Oasis on their debut album “Definitely Maybe” years later!) As a result of this exposure and the uptake of musical and studio know-how, it was a natural choice by Lee and Keir to pursue a similar career to their fathers.
As teenagers in the 1990s, they listened to London’s pirate radio stations, following the progression of early Hardcore through to Hardcore Techno, Jungle Techno, Jungle and then Drum and Bass – learning the sounds along the way with a view to producing material of their own in future. When Lee moved to Glasgow, bringing with him some studio equipment that he had collected, the pair began to experiment in writing a variety of styles of drum and bass. But it wasn’t until they heard LTJ Bukem’s first Radio One Essential Mix in July 1995 that they identified the kind of sound they were most interested in creating, and tailored their approach in the studio accordingly. Around this time, they also befriended a fellow Glaswegian drum and bass producer, KMC, who had built up a good reputation (and knowledge of the scene) outside Scotland, and he encouraged them to relinquish a demo DAT in order to start the process of getting material signed to record labels.
Good Looking Records
The relationship with Good Looking Records began in 1999 when LTJ Bukem selected a track entitled “Timeshift” to be part of the third volume of his legendary Progression Sessions mix CD series. It was an instant fans’ favourite due to the futuristic synths and technological vibes that would become two abiding ingredients of Future Engineers’ sound. In the ensuing years, the duo released tracks on a variety of labels under the Good Looking Organisation umbrella – such as PHD’s Ascendant Grooves, Tayla’s Nexus Records and Blame’s 720 Degrees. The latter proved to be a particularly significant outlet for them within the Good Looking camp and their 12”s, “Changes in State”/”Rogue Comet” and “Momentum”/”Organism” played no small part in the fast growing reputation of that particular label.
Technetum EP
By 2001 they were so highly regarded by the Good Looking Organisation, having almost all of their new music picked up by the labels within, that Lee and Keir accepted the offer to sign an exclusive artist contract. In addition to agreeing a structured release schedule, this presented an opportunity for Future Engineers to showcase their DJ talents at some of the Progression Sessions nights throughout Europe. It proved to be a good year for the Engineers; a track entitled “Merge” was selected to appear on MC Conrad’s Logical Progression Level 4 CD, and the boundary pushing, dance floor shaker “Echo-Location” was one of the highlights of LTJ Bukem & MC Conrad’s Progression Sessions 6, recorded live in the USA. 2002 saw the release of the “Technetium EP” – four slices of hard-edged, techno-orientated, atmospheric drum and bass – which was widely acclaimed by fans and music critics alike. This actually turned out to be the penultimate Future Engineers release on Good Looking Records – the last being a remix of Pariah’s “Midnight” in 2003.
Almost three years later, in early 2006, despite a lot of support and guidance from LTJ Bukem, MC Conrad and the rest of the Good Looking Organisation over the years, Future Engineers’ request to terminate the exclusive contract they had signed with them was accepted very amicably. This event marked the beginning of a new era and they did not hesitate to make their mark on the scene once again, releasing the popular “Down-Time” and a remix of Matizz’s “Through My Eyes” on Camino Blue Recordings, and a three track plate (including the much anticipated “Eon”) on Covert Operations Recordings.
The comeback is still building momentum as Lee and Keir continue to write more and more fresh material in the studio and DJ throughout Europe once again. Furthermore, the imminent launch of their brand new imprint – Transference Recordings – spells exciting times ahead…

1. Malaky - Spiralled - Fokus Recordings
2. Walkr - All I Need Ft Charli Brix - Warmer - Celsius Recordings
3. Hiddenwave - Up All Night - Scientific Records Dub
4. Ed:it - Kovacs - Shogun Audio
5. EastColors - Vaska - Demand Records
6. Dauntless - Departures - Dispatch Recordings Dub
7. S.P.Y - Dreaming - Hospital Records
8. Ed:it - Nevermind It - Shogun Audio
9. Future Engineers - Eternity - Plasma Audio
10. Radicall - Allure (Future Engineers Remix) - Transference Dub
11. Naibu - Fighting for Attention (Future Engineers Remix) - Scientific
12. Seba & Ulrich Schnauss - M7 - Blu Mar Ten Music
13. Cern - Premonition - Dispatch Recordings
14. Homemade Weapons - Heiress - Samurai Music
15. Nami - Imitator - Lifestyles Music
16. Revaux ft. Charli Brix -  Colours - Lifestyles Music Dub
17. Dauntless & Fuj - Lucidity - Dispatch Recordings Dub
18. Nami & 'Lo - Inside - Lifestyles Music
19. Dauntless & Fuj - Change of Plan - Transference Dub
20. Dauntless & Fuj - Shadow Beast -  Dispatch Recordings Dub

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